SEGD feature—John deWolf’s sketchbook

My sketchbook—intended for me until now.

Earlier in the month, I was asked to submit images from my sketchbook. I thought: how did they know sketchbooks mean so much to me? Did I say something?

My sketchbooks were intended for me—and few others—until now, as I was asked to share them. I view my sketchbook as a diary to express an interior monologue. Any given page in a given book represents half-thoughts and impressions I may have about a project, but page after page reveals the evolution of a concept. Leafing through these books, I often recall what I ate, whom I was with, or where I was when I made a certain mark, regardless of the journal’s age.

My books are neither pretty nor legible.

I put little care into my mark-making. I have fleeting moments to explore ideas, thus quantity and speed of exploration over the quality of linework is my maxim. My books are neither pretty nor at times legible—coffee or wine-stained, bent cover and lost spine are no issue for me. While not precious, losing a book, however, might lead to months of anxiety. Thankfully, I believe I still have ALL of them.

See the full article and images.

Since 1987, the SEGD Global Design Awards have set the standard of excellence for experiential graphic design—honouring design work that connects people to place by providing direction, storytelling, and compelling experiences in public spaces. The awards celebrate design that inspires and improves the human experience for individuals of all backgrounds and abilities. In all categories, students compete along with professionals and often win Merit and Honor awards.